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Goldfields and Baby Blue Eyes in Native American House Pits
8atsun
00:00 / 03:59

AT SUNSET

Words and Music by Jim Robbins
 

 

 

 

 

At sunset, strolling under the oaks,
we heard the rustling of grass
as though a snake were slithering
toward us. But, no, the wings

 

of dragonflies were rustling
as their bodies looped
above the dwindling stream
in twilight. We rested a moment

 

on a rock as thirty gleaming bodies
wove through the air a foot or so
above the water, and we strained
our eyes to glimpse sapphire and turquoise

 

and ruby red. The other world
didn't matter anymore. The creek
and the oaks and the grasses
were alive with song.

 

An owl winged, mothlike, to a nearby oak,
perched above us, turned its flat,
oval face and peered silently
a long time.



                    Suite No. 5, Seventeenth Movement:

 

AT SUNSET
 

 

 

   There was a long period in our marriage during which trips to Watt’s Valley in the evenings brought us closer together, no matter what was happening in our personal lives. My wife at the time ran a daycare, and I taught part time as an adjunct instructor at community colleges. We were barely scraping by, and I was miserable due to a severe case of celiac disease, but we both usually found some peace there.
  In Watt’s Valley, we identified all the birds and flowers as the seasons came and went. We became so intimately connected with the foothill ecosystem that we knew where each species of flower sprouted from one year to the next. We knew all the birds that migrated through during the different seasons as well, including our favorites, the brilliant spring birds, orioles and tanagers and swallows and buntings. We saw wild pigs and wild turkeys and bobcats and coyotes and newts and frogs and turtles and snakes. One night we saw one pygmy owl after another on the road, their big eyes flashing before they suddenly leapt and flew erratically out of our path. We never saw pygmy owls on the road again after that night.
  In the song “At Sunset,” I focus on how at first while in nature you often experience fear. You worry about snakes and predators, but usually there is a moment, if you are out among the trees and grasses long enough, that a shift occurs and you can perceive the magic and mystery of the ordinary creatures within the natural world. Dramas disappear, and you recognize how extraordinary are even the most common forms of life.
  The owl at the end of the song peers at my wife and me for a long time as if seeing the magic and mystery within each of us.

The Couple
11root
00:00 / 03:10

ROOTS AND CURRENTS

Words and Music by Jim Robbins
 

 

 

 

 

In a place that dreams, ten trunks
rise from a low throne, the breath
of vanished tribes whispering
that we have stepped

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into another life. A trail leads

past roots through the domain

of the buckeye and the wild cat.

I see a god of the hunt

 

 

i

in my mind's eye as deer
crash through the brush,
the tribes pulled into quiet currents
as we wake to a vast ocean

 

of breath. The sprouts
of horse chestnuts plunge
into dark earth. I suddenly feel
like I could flow through all things.




                    Suite No. 5, Eighteenth Movement:

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ROOTS AND CURRENTS
 

 

 

   My wife claimed to like my watercolor of two buckeye trees joined at the roots. We discovered that sometimes two or more tree trunks grow from one seed, and since my wife and I considered their union symbolic of our love for each other, we vowed that when one of us died, the surviving spouse would spread the ashes of the other on the roots of those trees. We affectionately called the trees “the couple,” and we would slow down to gaze at them every time we drove through Watt’s Valley, where we would occasionally trespass in the oak woodlands on private property in the evenings. Thanks to the couple, we realized that buckeye trees change dramatically from one season to the next.
  Often, when we were traveling together in the car, my wife and I would read each other's mind. Our thoughts would often concern people or events that had nothing to do with where we were or where we were going or what had recently transpired, yet somehow we would think of the same things. It didn't just happen because we knew each other well: often a topic would occur out of the blue, and we both would be thinking about it. Sometimes we would try to figure out who had first experienced the thought and who was being telepathic. Sometimes I realized that I had experienced a mental image or a phrase, and my wife would then bring up the subject. Other times my wife would have the thought and I would bring up the subject. Eventually we realized that we were both telepathic in the car when "mingling auras"--a term that we used to describe the phenomenon. Whenever we described the phenomenon to other people, no one seemed to believe us.

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Buckeye Tree near Native American Village Site

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   Once, as I explored the Sycamore Creek watershed, I followed a trail that led to a ridge with the most majestic buckeye tree that I’ve ever encountered. Ten large trunks rose up from its root system out of what looked like a low throne. As I approached it, I almost tripped over a small pounding stone with two mortars. I continued on the trail and found myself standing in the middle of a house pit. I have mentioned that I became weird after my spiritual awakening--as I stood in the house pit, I suddenly had a vision of a god with antlers on his head and a spear in his hand. A few seconds later I heard a deer crashing through the brush on a hill near me. It was as if the god was alerting me about the deer. I have experienced visions of gods and goddesses at other Native American sites before, as if shamans had created god forms for cooperative nature spirits to ensoul. I sighed and whispered that I was too out of shape to chase the deer. I suddenly felt a wave of laughter from the place where the god was standing.
  I suspected that other pounding stones were in the area, so I explored the ridge a little more and discovered another pounding stone with four mortars brimming with dirt and humus. Not far from the pounding stone, I found a collapsed mine and an indentation in the ground where the miners had set up their encampment. I wasn’t surprised to find evidence of mining at a Native American village site because I had found other Native American sites in the area with collapsed mines. Miners during the gold rush had exploited the Native Americans as workers.
  Unlike the other collapsed mines in the area, this one had not been dynamited to keep unsuspecting explorers from falling into a deep hole and disappearing without a trace. I was afraid for a moment that the mine had collapsed on the miners and the Native American workers. The mine, still containing a small hole on one side, had been conquered by poison oak. I imagined that a mountain lion used it as its den.
  I returned to the buckeye and experienced a freshness that I’ve rarely ever encountered. Though one of the largest and oldest buckeyes in the woodland forest, it was emanating its freshness into the surrounding ocean of air, its breath carried by currents all through the forest. Most of the fallen buckeye seeds had already sprouted one root that was plunging into the earth. The tree and its progeny were pulling water and nutrients from all the tribes of trees and flowers and animals and people that came before them and eventually breathing their energy back into the woodlands.
  The buckeye on another level was startling because it was so different from the other buckeyes in the area. When I took my wife to see it one day, she literally could not believe that it was a buckeye tree. The buckeye reminded me that nature is another order of existence full of mysterious creatures and unexpected spiritual vibrations, and you never know when you’re going to encounter them or experience an unexpected spiritual connection. As in any relationship, you just need to remain open.

Native American Site in Early Spring
9secrt
00:00 / 04:08

SPIRIT OF PLACE

 

Words and Music by Jim Robbins

 

 

 

 

At dawn, we follow paths
into a forest that dreams,
where we find abandoned
villages, last night's rains

 

veining the slopes, the quail
reminding us that we
are awake. I sense a spirit
watching us

 

as I slide my fingers over
wet moss. When the spirit senses
our love for moss and rocks
and mushrooms and grass

 

and for each other, she
gently touches our souls
and drenches us
with her joy.



 

                     Suite No. 5, Nineteenth Movement:

 

SPIRIT OF PLACE
 

 

 

   As I mentioned in the previous post, entitled "Roots and Currents," after I mentally purified my aura, I became weird--in other words more sensitive to the spiritual vibrations within nature. In some regions of the wild, I can sense an overarching intelligence, what the Romans call the “genius loci,” or "spirit of place." In some areas, the genius loci is absolutely terrifying, in others, resentful, but in one place that my wife and I called “Fairy Creek,” the spirit of place is loving and nurturing, almost maternal. Every time I go there, I experience vibrations of love and joy. I eventually developed a theory about the phenomenon. Several pounding stones exist in the area. I believe the Native Americans over time developed a deep sense of reverence and love for the creek and its genius loci, which she reciprocated, so not only does she care for the plants and animals, she also still cares for human beings. At Native American village sites that are closer to modern civilization, I sense only resentment. Indigenous Native Americans, being more sensitive to nature, knew that you need to establish a parley with the spirits of the natural world. Almost every culture has at some point personified the spirits of nature as deities. Modern American society, possibly due to its worship of capitalism and its incessant exploitation of natural resources, remains willfully ignorant about the spiritual side of nature, which my ex-wife and I had sometimes experienced together.

Small Blue Butterfly
1hid
00:00 / 04:32

HIDDEN EYES

 

Words and Music by Jim Robbins
 

 

 

 

 

Suddenly I can see your hidden eyes
that now see me. Kings have never
marveled at your golden crown.
Priests have never beheld the glittering diamond
above your head. Architects could never
draw your ladder to the eternal.
Painters could never capture the rainbow flowers
of your aura or the soft pink or your heart.
Astronomers have never witnessed your brilliant sun.
Clerks have never sold your golden cups
and plates or your pure white tablecloths.
Doctors have never examined your golden caduceus.
Nuns have never noticed your golden, equal-armed cross.
But suddenly I can see your hidden eyes
that now see me....



                      Suite No. 5, Twentieth Movement:

 

 

 

HIDDEN EYES
 

 

 

   (Please note: I included this song in ENTANGLED: A Musical, but I am taking the opportunity here to explain here how the song originated.)
  Mid-way through my marriage, I started meditating to alleviate stress. I began to use mental purification techniques and discovered that one technique in particular was extremely effective. I pictured my primary chakras as turning margarita glasses and immediately began to see impurities in most of them. I started at the bottom chakra, and over the weeks that followed, I cleansed each chakra, one by one. I soon discovered that my subconscious mind was more than willing to reveal taints and blotches and impediments. For instance, in my third eye chakra, I found a black blindfold, which I mentally pulled out, only to discover that it was tied to another one. I kept pulling out one blindfold after another until finally I pulled out a white one that was not connected to another blindfold. Then I moved to my crown chakra and discovered that my head was full of trash. I spent many hours mentally cleaning out the trash, and when finally all of the chakras were purified, I waited excitedly during meditation for something to happen.
  In my mind’s eye a pure white flower with four petals appeared, which suddenly blossomed into a flower with innumerable petals. I thought at first that the flower was a rose, but a voice in my head whispered, “Lotus.” I went online and discovered that the thousand-petaled lotus is a symbol associated with the crown chakra. Soon after that, I had a vision of a large diamond with numerous facets in the thousand-petaled lotus and discovered later that the diamond is also associated with the crown chakra and is known as the “jewel in the lotus.” I soon began to envision other symbols when meditating or when sitting quietly.
  Before then, I had never considered myself spiritually inclined; in fact, I had vacillated between atheism and agnosticism for most of my life, so the visions came as a huge surprise. Then one day I cleansed my heart chakra for the hundredth time and suddenly envisioned soft pink surrounding my heart. I checked a book which lists how different colors correspond to the human aura and discovered that pink represents the highest spiritual energy of the heart. Even more surprisingly, the same day I strolled by my wife and noticed the same shade of pink in her heart. Over time, I began to see other symbols in my wife’s aura that I had envisioned during meditation, many of which I include in this song.
  Each symbol has a spiritual meaning. For instance, the caduceus represents channels of energy in the chakra system. A person who experiences an unobstructed flow of energy within this system experiences enlightenment and optimum health, hence the association of the symbol with the medical profession. Other golden objects that I mention, the crown and cups and plates and the equal-armed cross, represent the magnificence, abundance and harmony of the human spirit. I eventually realized that these archetypal symbols represent qualities within each one of us. I have had difficulty seeing the symbols in other people, but I could see the symbols clearly within my wife’s aura before she left me.

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